Mufti Nadimul Quamar Ahmed is a graduate student in his second year, pursuing a doctorate in sociology at USU. He recently helped survey Utahns to see if environmental concerns affect the decision to have children.
Poetry contest honoring May Swenson anticipates groundbreaking for retreat
Star Coulbrooke, director of the USU Writing Center and poet laureate for Logan City, is overseeing a poetry contest to mark the upcoming groundbreaking for the Swenson House, a writers’ gathering space to be built on the site of the original Swenson family home at the base of Old Main.
“I rode on his shoulder. He showed me the moon.”
When she wrote that line in the poem “The Seed of my Father,” May Swenson was distant from her father and Logan childhood home — in both years and miles.
Now the Department of English and other admirers of Swenson’s poetry are hoping to re-plant that seed in a poetry contest for student writers inspired by the many insightful and exquisite lines of May Swenson poetry.
Deadline for entries to the Swenson Legacy Poetry Contest is Sept. 7. Winning authors will read their poems at the Sept. 18 groundbreaking for the newly imagined Swenson House. To be built at 669 E. 500 North in Logan, the site of the former Swenson family home, the Swenson House will be a retreat and gathering place for literary artists of all stripes, says Joseph Ward, dean of the College of Humanities and Social Sciences.
May Swenson is widely considered to be among the most influential American poets of the 20th century. And, a 1934 graduate of Utah State University, she’s perhaps its most famous alumnus. Since her death in 1989, faculty in the Department of English have continued efforts to keep her legacy alive.
The contest, said poet Star Coulbrooke, director of the USU Writing Center, is designed to do just that.
Coulbrooke and her writing students have created a list of poetry-writing “prompts” made up of lines from Swenson poems. The list can be found here.
A poem entered in the contest “can be inspired by a Swenson line,” said Coulbrooke. “It can have the line in it. It can have the line as a title. Or it can simply cite the line at the end as something that inspired the poem.”
Poets can also choose their own inspiring Swenson line, she said.
There are few other rules for the poetry entries, said Coulbrooke. “We want writers to use their creative ability. May Swenson broke all the rules and used her creative ability to expand poetry in a lot of ways people hadn’t thought of before.”
Cash prizes were be awarded: $300 for first place, $100 for second, and $50 for two finalists. Winners will read their poems at the Swenson House groundbreaking at 1:30 p.m. Sept. 18. Email entries to star.Coulbrooke@usu.edu.
Coulbrooke, who is the official Logan city poet laureate, will host a book-launch event for “Both Sides from the Middle,” a collection of her poetry released in conjunction with the Swenson House groundbreaking. All proceeds from the book sale will be donated to the Swenson House. The book launch is at 6 p.m. Sept. 16, third floor of the Bluebird Restaurant in Logan. The event is free and open to the public.
To visit Coulbrooke official poet laureate page (and to read her poem presented tithe city council Aug. 18) go to http://www.loganutah.org/government/mayor_s_office/poet_laureate.php
For more information on the Swenson House, see http://chass.usu.edu/swenson-house/
Suggested May Swenson poems with prompt-lines highlighted in bold
The Poplar’s Shadow
When I was little, when
the poplar was in leaf, its shadow made a sheaf,
the quill of a great pen
dark upon the lawn
where I used to play.
Grown, and long away
into the city gone,
I see the pigeons print
a loop in air and, all
their wings reversing, fall
with silver undertint
like poplar leaves, their seams
in the wind blown.
Time’s other side, shown
as a flipped coin, gleams
on city ground
when I see a pigeon’s feather:
little and large together,
the poplar’s shadow is found.
Starting at here,
and superposing then,
I wait for when.
What shapes will appear?
Will great birds swing
over me like gongs?
The poplar plume belongs
to what enormous wing?
“A Cage Of Spines.” Collected Poems, by May Swenson and Langdon Hammer, Library of America, 2013, pp. 81–82.
The Seed of My Father
I rode on his shoulder. He showed me the moon.
He told me its name with a kiss in my ear.
“My moon,” I said. “Yours,” he agreed.
And as we walked, it followed us home.
Hold my hand, he showed me a tree,
and picked a peach, and let me hold it.
I took a bite, then he took a bite.
“Ours?” I asked. “Yes, our tree.”
Then with a hoe he made the water flow beside it.
When I was older he showed me the sun.
He made me a wooden wheel on a stick,
of pine wood, raw and bright as the sun.
I used to run and roll it.
A flashing circular saw was the sun,
like the one he made my wheel with.
“This little wheel belongs to me, the big one
to you?” “Yes,” he agreed, “just as we
belong to the sun”
He let me plant the corn grains one by one
out of a long hollow slip-box thrust in the ground.
“I who plant seeds for my father,
I am the seed of my father.”
And when the corn was tall, it swallowed me all up, all,
whispering over my head. “You are the seed of your father.”
And when the husks were sere, my father with a rake,
in the cold time of the year, made a bush of gold.
He struck the bush to burning for my sake.
I stood at his shoulder, a little higher.
I was the seed of my father, my father
outlined by the fire.
He made a garden, and he planted me.
Sun and moon he named and deeded to me.
Water and fire he created, created me,
he named me into being: I am the seed of my father.
His breath he gave me, he gave me night and day.
His universe is in me fashioned from his clay.
I feed on the juice of the peach from his eternal tree.
Each poem I plant is a seedling from that tree.
I plant the seed of my father.
“Selected Uncollected and Posthumously Published Poems.” Collected Poems, by May Swenson and Langdon Hammer, Library of America, 2013, pp. 598—599.
I hope they never get a rope on you, weather.
I hope they never put a bit in your mouth.
I hope they never pack your snorts
into an engine or make you wear wheels.
I hope the astronauts will always have to wait
till you get off the prairie
because your kick is lethal,
your temper worse than the megaton.
I hope your harsh mane will grow forever,
and blow where it will,
that your slick hide will always shiver
and flick down your bright sweat.
Reteach us terror, weather,
with your teeth on our ships,
your hoofs on our houses,
your tail swatting our planes down like flies.
Before they make a grenade of our planet
I hope you’ll come like a comet,
oh mustang—fire-eyes, upreared belly—
bust the corral and stomp us to death.
“Selected Uncollected and Posthumously Published Poems.” Collected Poems, by May Swenson and Langdon Hammer, Library of America, 2013, pp. 606.
Write a rain poem
Write a stop poem
Write a shit poem
I love you
Write a love poem
Write a dead poem
Write a fight poem
Write a hate poem
Write a write poem
Make a wait poem
sleep a poem
Wake a poem
“Iconographs.” Collected Poems, by May Swenson and Langdon Hammer, Library of America, 2013, pp. 306.
To a Dark Girl
Lie still and let me love you
first with my eyes
that feast upon you
as on deep skies
to count the constellations
Below your breast Andromeda
Orion and the rest
Lie still and let me love you
now with my hands
that dream over your body
as in wondrous lands
skiers ascend to snow-smooth hollows
where silence speaks
Lie still and let me love you
with my mouth
pressed among strange flowers
elixirs of the south
to drink their dewy musk
or like rich grapes
I nuzzle with my lips
until their wine escapes
Lie still and let me love you
with all my weight
urgent upon you
my body greets you a leaping boat
challenging your tide
to be the stronger
And not afloat
lie still no longer
Demand I love you
the more the more
while passion’s breakers
bear us to their shore.
“Selected Uncollected and Posthumously Published Poems.” Collected Poems, by May Swenson and Langdon Hammer, Library of America, 2013, pp. 559—560.
What I Did on a Rainy Day
Breathed the fog from the valley
Inhaled its either fumes
With whittling eyes peeled the hills
to their own blue and bone
Swallowed piercing pellets of rain
Caught cloudsful in one colorless cup
Exhaling stung the earth with sunlight
Struck leaf and bristle to green fire
Turned tree trunks to gleaming pillars
and twigs to golden nails
With one breath taken into the coils
of my blood and given again when vibrant
I showed who’s god around here
“Selected Uncollected and Posthumously Published Poems.” Collected Poems, by May Swenson and Langdon Hammer, Library of America, 2013, pp. 564.
Cause & Effect
Am I the bullet
or the target
or the hand
that holds the gun?
Or the whisper
in the brain saying aim, fire?
Is the bullet innocent though it kill?
Must the target stand unblinking and still?
Can one escape, the other stop, if it will?
Will the trigger-finger obey through force?
If the hand reverse command,
will the pregnant gun abort its course?
the brain, surely it can refrain
unclench the gun, break open
the pod of murder,
let the target rise and run.
But first the whisper must be caught,
before the shot—
the single wasp be burnt out,
before the nest, infested, swarms with
the multiple thought—
each sting the trigger pressed!
“A Cage of Spines.” Collected Poems, by May Swenson and Langdon Hammer, Library of America, 2013, pp. 82.
is it about,
the universe about us stretching out?
We within our brains
we must unspin
the laws that spin it.
we think why
because we think
Because we think,
the universe is about us.
But does it think,
Then what about?
Must there be cause
in the universe?
Must it have laws?
if the universe
is not about us?
is it about?
“To Mix With Time.” Collected Poems, by May Swenson and Langdon Hammer, Library of America, 2013, pp. 141.